Although concentrating on furniture we have a have a few paintings here at Carlton Hobbs, amongst which is this attractive seascape by Robert Salmon (1775-1848).
Although concentrating on furniture we have a have a few paintings here at Carlton Hobbs, amongst which is this attractive seascape by Robert Salmon (1775-1848).
As keen animal lovers we at Carlton Hobbs are very excited to be hosting a fund-raising event for PETA in our galleries on the second of December.
Lillie (1760-1827), the most prominent furniture designer in Denmark during the late 18th and early 19th century, was appointed to the newly-created post of Architect and Designer to the Danish Court in November 1790. The tops of the pair seem likely to be the work of Giuseppe Canart (d. 1791), a Roman craftsman whose commissions were predominantly in Naples.
The tops incorporate sections of specimen marble, primarily of volcanic stones, inside a complex interlaced framework of interlocking rings.
Many of Lillie's pieces were executed for the Danish Royal court. Given the precious nature of the tops and his impressive record of patrons it sees likely that these tables formed part of a Royal or aristocratic commission.
The English style is very pronounced in Lillie's work, alluding to the furniture designs of Hepplewhite and Sheraton although, like most of his contemporaries, Lillie was mainly indebted to the greatest talent in England at the time, Robert Adam.
At the Palm Beach Fine Arts and Antiques Fair in February Carlton Hobbs will be showing a fine set of four neoclassical giltwood 'Klismos' chairs. Interestingly their design is almost identical to a set in the Villa Borghese which are known to have been carved by Lucia Landucci and represent a rare example of a work by a female artisan from the Eighteenth Century. She was the daughter, or possibly the widow, of Antonio Landucci who was the principle intagliatore (carver) responsible for the refurbishment of the villa.
Latin for “wood of life,” lignum vitae is a heartwood obtained chiefly from small, slow-growing trees of the genus Guaiacum found in tropical and sub-tropical regions of the Americas. Its name derives from its perceived medicinal uses in the treatment of colds, syphillus, arthritis and gout. In an engraving by Johannes Stradanus circa 1580 entitled “Preparation and Use of Guayaco for Treating Syphilis,” a man can be seen on the bottom right cutting a section of the tree (figure 1). Lignum vitae can also be referred to as palo santo (holy wood) and greenheart, and is considered an ironwood, prized for its strength and density. The wood of the tree is also rich with fats and resin, making it nearly waterproof and ideal for use in the applied arts as it is self-lubricating. Interestingly, magical qualities are attributed to the wood and the wizard Merlin’s staff is said to have been of lignum vitae.
More... Lignum Vitae: The Wood of Life